Atmosphere during the 'Bridesmaids' Los Angeles Premiere at Mann Village Theatre on Apin Westwood, California.
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Subjects of conversation instead range from "jobs" to "facial expressions" and they serve disgusting-looking hot-dog soup and every minute is sheer perfection. Browse 821 bridesmaids movie stock photos and images available, or search for bachelorette party to find more great stock photos and pictures. Phyllis Smith from The Office, SNL's Vanessa Bayer, and Gilmore Girls' Rose Abdoo form the ladies' "talking club" where Bayer rules with an iron fist and refuses to let Smith's Dolores talk about horses. Kristen Wiig and Annie Mumolo, who penned the Oscar-nominated script for Bridesmaids, are reuniting on the new Lionsgate comedy Barb and Star Go to Vista Del Mar. Every single person in this film is wholeheartedly invested in their world and all the bizarre shenanigans that they get up to.Īnd then there are the cameos. There's never a wink (or worse, an eye-roll) from him at the camera, either, nor from anyone else.
It's refreshing to see a man in the 'desperate to be acknowledged by a toxic partner' role, and it helps that Dornan plays it so sappy and earnest that you, too, fall in love with his desperation. Most of all, I love seeing a bunch of talented female performers come together to do physical comedy their way.Playing against type, Edgar is desperate to be in an "official couple" with his love, Sharon Gordon Fisherman (also Wiig, in cakey white makeup and a black wig – we won't spoil why, the reveal is too juicy!). I love how the movie walks its crazy line between satire and realist drama. I love how the women of Bridesmaids - direct descendants of the neurotics in the black comedies of Nicole Holofcener (Please Give) and Tamara Jenkins (The Savages) - take ownership of female aggression and competition, of our radical insecurities and the predicaments of being female in a post-feminist world. The real showstopper, though, is Melissa McCarthy (of television's Mike & Molly) as a beefy nuclear engineer, resplendent in golf cap, pearls and an admirable outlook on life. There's Wiig and Byrne, in a competitive toast-off to the hapless bride-to-be an ineffable group shopping trip to a high-end bridal boutique a frustrated stay-at-home mom (Wendi McLendon-Covey) graphically disabusing the ingenue newlywed ( The Office's Ellie Kemper) of her motherhood fantasies a drunken in-flight tirade for Wiig, topped by her final faceoff with Byrne's Helen (and a monster cookie) at an impossibly lavish wedding shower.
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That stuff played just fine in Knocked Up, but it's not needed here.Īnd at its loony best, Wiig and Mumolo's script hurls a torrent of bridesmaid-zilla set pieces at us, playing out like a Sex and the City 3 read-through gone deliciously awry. No, we want to see girls behaving badly - though preferably without the vomit and poop scenes that Apatow reportedly shoehorned in for fear of losing the guy demographic. Honestly, though, neither women nor their dates will flock to Bridesmaids to watch yet another 30-something fight her way through a recessionary world filled with unreliable studs. Dumped by her boyfriend, she sleeps with a cheerfully uncommitted lout (Jon Hamm, happily parodying his hunky self) who thinks nothing of greeting his on-demand lover with "Hi, f - buddy!" With her downtown bakery felled by recession, Annie takes a job selling jewelry, only to throw her dreary new gig into daily peril by assailing customers with her jaundiced views on love and marriage. Of course you won't find much textbook feminism in Bridesmaids Wiig's Annie, a stalled Milwaukee pastry chef, owes a lot more to Bridget Jones than she does to, say, Erin Brockovich. Armed with a terrific ensemble plucked from the cream of current comedy, the two take a sharply affectionate scalpel to the chick-flick myth of earth-mother female friendship.
The movie, ably directed by Apatow collaborator Paul Feig ( Freaks and Geeks), was co-written by Wiig with her longtime friend and collaborator Annie Mumolo. Were it not for some atonal meddling from co-producer Judd Apatow that's clearly designed to put male bums in the seats, Bridesmaids would qualify as one of the most groundbreaking mainstream movies of the past decade - an indie women's picture sneaking in under summer-blockbuster cover. The warring impulses within Wiig set a wonderfully skittish tone for the painfully hilarious new movie Bridesmaids, a screwy tale of female friendship and wedding planning from hell. Saturday Night Live fans know Wiig can act out (Target Lady!), but if you've been paying attention, she can also act - she played, of all things, a steadying force in Drew Barrymore's underrated roller derby movie, Whip It. Kristen Wiig is a very pretty, very funny woman with reassuring crow's feet etched around her surprisingly anguished blue eyes.
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